“Nosferatu” invokes classic horrors for modern audiences

“Nosferatu: A Symphony of Horror” was released as a silent film in 1922, and created a fan base for gothic horror, one that pushed for the making of more, similar movies. The vampire is held in similar regards to Dracula as far as movie vampires go. Almost a century after the initial film, Robert Eggers’ “Nosferatu” premiered in theaters this past Christmas. 

The story follows a woman named Ellen Hutter, played by Lily Rose Depp, her husband Thomas Hutter, played by Nicholas Holt and the ominous figure Count Orlok, played by Bill Skarsgård. Depp successfully disproves any claims that she may only get roles due to her status as a nepo baby. She provides a horrifying and beautiful performance as the lead role. Nicholas Holt truly captures the audience throughout his performance, specifically in his scenes with Count Orlok. Skarsgård completely transforms into his character, and I mean that both in terms of his acting and the costumes. Some other performances of note are Aaron Taylor Johnson as Friedrich Harding and Willem Dafoe as Professor Albin Eberheart.

Something about the film that immediately drew my attention was the costumes. From Ellen’s beautiful dresses, to Orlok’s threatening appearance, there are so many levels and intentions that can be seen through what each character wears. Another technical element that has sent the internet into a frenzy is the cinematography. Eggers took the gothic tones of “Nosferatu” and created such an elegant yet dark film that, although there may be points where you would like to look away, you find yourself wanting to drink up every bit of the beautiful movie. The popularity of these gothic tones is now helping to promote the film further through social media.

My only warning for those who would like to see this film is that you should prepare for the gore. I can only handle so much before I have to tune out, and this film was gore overload, as was necessary for the plot. I was able to push through, but not without looking away a few times. So be prepared to see some things that might make you feel uncomfortable. It is intense, but not unbearable, and, in my opinion, worth it.

Beyond that one comment, which cannot even be called a critique, I truly do think this is a beautiful film, and perfect for the winter season. The acting performances and plot in combination with the cinematography truly builds it to be one of my favorites of 2024. If you are looking for a film that is not necessarily scary but will still keep you on your toes, I would say I recommend “Nosferatu.”

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